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"My Adidas" is the first single from Run–D.M.C.'s third album Raising Hell. It is about Adidas footwear. [1] Released in 1986, the song was written by two of the members, Joseph "DJ Run" Simmons and Darryl "DMC" McDaniels and was produced by Rick Rubin and Russell Simmons.
Rolling Stone writer Mark Kemp remarked, "'It's Tricky' cribs the guitar part from the Knack's 'My Sharona,' a fatuous New Wave song, and turns it into vital street art." [8] Pitchfork ' s Tom Breihan claimed, "Run and DMC had also stepped their rap game up; "It's Tricky" is basically as good as the two of them ever got, spitting quick-tongue witticisms and yelling booming threats with equal ...
Raising Hell was voted fifth best album of 1986 in the Pazz & Jop poll of American critics nationwide, published by The Village Voice. [22] Robert Christgau, the poll's creator, wrote in a contemporary review: "Without benefit of a 'Rock Box' or 'King of Rock,' this is [Run-D.M.C.'s] most uncompromising and compelling album, all hard beats and declaiming voices."
It was 1982. Darryl “DMC” McDaniels had just graduated from high school, and his group Run-DMC with Joseph “Run” Simmons and Jason “Jam Master Jay” Mizell was garnering significant ...
Run-DMC (also formatted Run-D.M.C., RUN DMC, or some combination thereof) was an American hip hop group from Hollis, Queens, New York City, formed in 1983 by Joseph Simmons, Darryl McDaniels, and Jason Mizell.
"Hit It Run" – 3:11 "It's Tricky" – 3:04 "Peter Piper" – 3:23 "It's Like That" – 4:51 "Raising Hell" – 5:33 "My Adidas" – 2:49 "Sucker M.C.'s (Krush Groove 1)" – 3:11 "Mary, Mary" – 3:14 "Here We Go" (Live at the Fun House) – 4:06 "Beats to the Rhyme" – 2:42 "Down with the King" – 5:04 "It's Like That" (Run-DMC vs. Jason ...
The Best of Run-DMC is a 2003 compilation album by Sony BMG of American hip hop group Run-D.M.C.'s ... "It's Tricky" – 3:04 "My Adidas" – 2:49 "Down with the King ...
"It's Like That" was first released in 1983 backed with the track "Sucker M.C.'s".The release marked the start of Run-D.M.C.'s career and is widely regarded as ushering in a new school of hip hop artists with a street image and an abrasive, minimalist sound that marked them out from their predecessors.