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"Part of Me" Evanescence Amy Lee Tim McCord Troy McLawhorn Will Hunt Jen Majura The Bitter Truth: 2021 [3] "Red Stickers" [note 20] Evanescence Unknown Evolution: 2021 [7] "Say You Will" Evanescence Amy Lee Terry Balsamo Tim McCord Evanescence [note 2] 2011 [14] Lost Whispers: 2016 [9] "Secret Door" Evanescence Amy Lee Will B. Hunt ...
It should only contain pages that are Evanescence songs or lists of Evanescence songs, as well as subcategories containing those things (themselves set categories). Topics about Evanescence songs in general should be placed in relevant topic categories .
American rock band Evanescence has released five studio albums, two live albums, one compilation album, two demo albums, three extended plays, eighteen singles, nine promotional singles, two video albums, and eighteen music videos. Evanescence was founded in 1994 by Amy Lee and Ben Moody in Little Rock, Arkansas.
There was all this music that was inspiring me. And Evanescence was the product of these two extremes combining". [23] Contrasting sounds is an element of Evanescence music, [22] with Lee noting that alongside rock and metal, the band has "always had programming and inspirations from Bjork, Depeche Mode and Massive Attack and that kind of thing ...
"The Game Is Over" is a song by American rock band Evanescence. The song was released as a digital download on July 1, 2020 by BMG as the second single from the band's fifth studio album, The Bitter Truth. [1] The song was written by the band and produced by Nick Raskulinecz.
[51] [52] At the 2003 MTV Video Music Awards the band was nominated in the category for Best New Artist for "Bring Me to Life". [53] The song received a nomination at the 2003 MTV Europe Music Awards for Best Song. [54] At the 14th annual Billboard Music Awards, it won the award for Soundtrack Single of the Year. [55] "
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"Everybody's Fool" is a song by American rock band Evanescence from their debut studio album, Fallen. Wind-up Records released the song on May 31, 2004, as the album's fourth and final single. It was written by Amy Lee in 1999 about the promotion of unrealistic and hyper-sexualized ideals of perfection in the music industry, with detrimental ...