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Wachet auf, ruft uns die Stimme ('Awake, calls the voice to us'), [1] BWV 140, also known as Sleepers Awake, is a church cantata by Johann Sebastian Bach, regarded as one of his most mature and popular sacred cantatas.
Johann Sebastian Bach based his chorale cantata Wachet auf, ruft uns die Stimme, BWV 140, on the hymn [12] and derived one of the Schübler Chorales, BWV 645, from the cantata's central movement. His son Johann Christoph Friedrich Bach wrote a cantata for a four-part choir, Wachet auf, ruft uns die Stimme.
Wachet auf, ruft uns die Stimme (Wake, o wake and hear the voices), Wf XV:2, is a German chorale motet composed around 1780 by Johann Christoph Friedrich Bach, a son of Johann Sebastian Bach. It is based on Philipp Nicolai's hymn "Wachet auf, ruft uns die Stimme". The motet in E-flat major is written for a four-part choir. It is structured in ...
Ich bin ein Pilgrim auf der Welt (fragment of a setting of this libretto by J. S. or C. P. E. Bach is known as BWV Anh. 190, BDW 01501) 5 – Other and/or later: BWV 6 restaged (perhaps already 13 April 1727, and at least two further undated performances) BWV 66 restaged (26 March 1731 and 11 April 1735)
This is a sortable list of Bach cantatas, ... 140: Wachet auf, ruft uns die Stimme, BWV 140 ... Ich bin ein Pilgrim auf der Welt: music lost ...
The eldest known cantata by Bach, an early version of Christ lag in Todes Banden, BWV 4, presumably written in 1707, was a chorale cantata. The last chorale cantata he wrote in his second year in Leipzig was Wie schön leuchtet der Morgenstern, BWV 1, first performed on Palm Sunday, 25 March 1725. In the ten years after that he wrote at least a ...
The late church cantatas by Johann Sebastian Bach are sacred cantatas he composed after his fourth cycle of 1728–29. Whether Bach still composed a full cantata cycle in the last 20 years of his life is not known, but the extant cantatas of this period written for occasions of the liturgical year are sometimes referred to as his fifth cycle, as, according to his obituary, he would have ...
The third stanza of the eponymous chorale in Johann Sebastian Bach's setting as the final movement of his chorale cantata Wachet auf, ruft uns die Stimme, BWV 140. A Lutheran chorale is a musical setting of a Lutheran hymn, intended to be sung by a congregation in a German Protestant church service.
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