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The song began as an embryo which Zowie produced in his studio [1] – he found some acapellas on his PC from a Nervous Records vinyl containing part of the vocal [2] – and was written with the intent of being a feel-good track based on the lyrics. However, the vocalist initially sang about being trapped in the house during the weekend.
The song's music video broke the records for the biggest music video premiere on YouTube, with 1.66 million concurrent viewers, and the most-watched music video within 24 hours, with 86.3 million views in its first day. [49] It became the fastest video to reach 100 million views, in just 32 hours, [50] and 200 million views, in seven days. [51]
R-Evolution is a 2013 music documentary featuring 19 live performances, TV performances and music videos by American rock band the Doors.The compilation features TV performances not previously released as well as original music videos from the 1960s, the 1980s and the 1990s.
A fun song with plenty of vocal integration, "Breakn' a Sweat" doesn't blow the door off its hinges, but it will keep you dancing until the music stops." A writer from Toronto Stars said, "He's bright enough to use his Doors collaboration, "Breakn' a Sweat", as a mouthpiece for some meta-commentary about the nature of creating electronic music ...
"The Door" was written by Swims, together with John Ryan, John Sudduth, Sherwyn Nicholls, Joshua Coleman, and Julian Bunetta, with the latter two producing the song.The song was described by Swims as about saving his own life and finding the courage to walk out on an abusive relationship that played a part in driving his friends and family out of his life.
The use of the Doors song "The End", from their debut album, in the popular Vietnam War film, Apocalypse Now in 1979 and the release of the first compilation album in seven years, Greatest Hits, released in the fall of 1980, created a resurgence in the Doors. Due to those two events, an entirely new audience, too young to have known of the band ...
Alive, She Cried is the second official live album by the American rock band the Doors, released in October 1983 by Elektra Records. It is the follow-up to the 1970's Absolutely Live, produced by Paul A. Rothchild. The album's title was taken from a line in the song "When the Music's Over".
The Doors FAQ author Richie Weidman, declared "Hyacinth House" as "one of the strangest Doors' songs ever recorded." [5] Critic Ryan Leas of Stereogum, who ranked L.A. Woman the second best Doors album, praised "Hyacinth House" as "secretly one of the Doors' finest songs" and that it "still fits into the universe of L.A. Woman."