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audio recorder GPL-2.0-or-later: Gnome Wave Cleaner: Jeff Welty Yes No No GTK+ audio editor GPL-2.0-or-later: Jokosher: Jokosher community Yes No Yes GTK+ GPL-2.0-only with exception LMMS: Tobias Doerffel Yes Yes as of 0.4.0 with Qt4 Yes Qt multi-track audio editor intended as a replacement for Cubase-like software GPL-2.0-or-later: MusE: Yes ...
foobar2000 [a] (often abbreviated as fb2k or f2k) is a freeware audio player for Microsoft Windows, iOS, Android, macOS, and formerly Windows Phone, developed by Peter Pawłowski. It has a modular design , which provides user flexibility in configuration and customization. [ 4 ]
Winamp 2.0 was released on September 8, 1998. The new version improved the usability of the playlist, made the equalizer more accurate, and introduced more plug-ins. The modular windows for playlist and equalizer now matched the player's skin and could be moved around and be separated or "docked" to each other anywhere in any order.
Exaile is a cross-platform free and open-source audio player, tag editor and library organizer. It was originally conceived to be similar in style and functions to KDE's Amarok 1.4, but uses the GTK widget toolkit rather than Qt. It is written in Python and utilizes the GStreamer media framework. [2] [3] [4]
Audacity is a free and open-source digital audio editor and recording application software, available for Windows, macOS, Linux, and other Unix-like operating systems. [4] [5] As of December 6, 2022, Audacity is the most popular download at FossHub, [8] with over 114.2 million downloads since March 2015.
Library management: find, organize and rename music into particular folders and files based on any combination of audio tag values such as artist, album, track number, or other metadata. MusicBee can be configured to monitor and perform this task automatically for select libraries, while at the same time allowing users to take manual control on ...
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The number of frequency channels may be matched to the requirements of the intended application. A car audio equalizer might have a total of five to ten frequency bands. An equalizer for professional live sound reinforcement typically has some 25 to 31 bands, for more precise control of feedback problems and equalization of room modes.