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It depicts four women all wearing the same hat. The Welsh hat first appeared during the late 1700s; [ 1 ] it became widely popular in the 1830s and over 380 examples are known to have survived. The Welsh hat was part of a traditional Welsh costume propagated by Augusta Hall, Baroness Llanover [ 2 ] (1802–1896) but it is unlikely that she had ...
Simple American bonnet or mobcap, in a portrait by Benjamin Greenleaf, 1805. A mobcap (or mob cap or mob-cap) is a round, gathered or pleated cloth (usually linen) bonnet consisting of a caul to cover the hair, a frilled or ruffled brim, and (often) a ribbon band, worn by married women in the 18th and early 19th centuries, when it was called a "bonnet".
Chaperon is a diminutive of chape, which derives, like the English cap, cape and cope, from the Late Latin cappa, which already could mean cap, cape or hood ().. The tail of the hood, often quite long, was called the tippit [2] or liripipe in English, and liripipe or cornette in French.
Even better: Rather than looking like a character in a period drama when you put a cape on, the options—from preppy, to demure, to surprisingly sporty—feel modern instead of too much like a ...
A hard felt hat with a rounded crown created in 1850 by Lock's of St James's, the hatters to Thomas Coke, 2nd Earl of Leicester, for his servants. More commonly known as a Derby in the United States. [19] Breton: A woman's hat with round crown and deep brim turned upwards all the way round. Said to be based on hats worn by Breton agricultural ...
A mother wearing a kapp. A kapp (/kɒp/, Pennsylvania German from German Kappe meaning cap, cover, hood) is a Christian headcovering worn by many women of certain Anabaptist Christian denominations (especially among Amish, Mennonites, Schwarzenau Brethren and River Brethren of the Old Order Anabaptist and Conservative Anabaptist traditions), as well as certain Conservative Friends and Plain ...
It is common for women who do wear crowns to own hats for many occasions; journalist Craig Mayberry noted that the fifty crown-wearing women he interviewed owned an average of fifty-four hats each. [5] Church crown culture involves an unspoken code of etiquette. The hat should not be wider than a woman's shoulders or darker than her shoes.
As hats came back into style, bonnets were increasingly worn by women who wanted to appear modest in public, with the result that bonnets accumulated connotations of dowager wear and were dropped from fashion, except out on the prairies or country wear. The Gleaners, by Jean-François Millet, 1857: a cloth bonnet substitutes for a head kerchief