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Rastafari music developed at reasoning sessions, [246] where drumming, chanting, and dancing are all present. [247] Rasta music is performed to praise and commune with Jah, [248] and to reaffirm the rejection of Babylon. [248] Rastas believe that their music has healing properties, with the ability to cure colds, fevers, and headaches. [248]
The Rastafari movement began among Afro-Jamaicans who wanted to reject the British colonial culture that dominated Jamaica and replace it with a new identity based on a reclamation of their African heritage. [2] Barnett says that Rastafari aims to overcome the belief in the inferiority of black people, and the superiority of white people. [3]
A primary goal in Rastafari meditation is maintaining awareness of I and I. A primary goal in a Rasta's life is to expand their livity. [1] In Rastafari philosophy, livity can be enhanced by intense prayer and meditation (often enhanced by sacramental cannabis use), adherence to an Ital diet, and perhaps most importantly, loving behavior toward ...
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Rastas have traditionally avoided death and funerals as part of the Ital lifestyle, [1] meaning that many were given Christian funerals by their relatives. [2] This attitude to death is less common among more recent or moderate strands of Rastafari, with many considering death a natural part of life (and thus, they also do not expect immortality). [3]
Roots reggae is a subgenre of reggae that deals with the everyday lives and aspirations of Africans and those in the African Diaspora, including the spiritual side of Rastafari, black liberation, revolution and the honouring of God, called Jah by Rastafarians. [1] It is identified with the life of the ghetto sufferer, [2] and the rural poor.
Iyaric, also called Dread Talk or Rasta Talk, is a form of language constructed by members of the Rastafari movement through alteration of vocabulary. When Africans were taken into captivity as a part of the slave trade, English was imposed as a colonial language and their traditional African languages were lost.