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The name originated from the practice of gentlemen in the 19th century riding a horse in the morning with a cutaway front, single-breasted morning coat. [9] The modern 20th-century morning dress was originally a more casual form of half dress, but as the 19th century progressed, it gradually became acceptable to wear it in more formal ...
The tailcoat shares its historical origins in clothes cut for convenient horse-riding in the Early Modern era. From the 18th century, however, tailcoats evolved into general forms of day and evening formal wear , in parallel to how the lounge suit succeeded the frock coat (19th century) and the justacorps (18th century).
In France in the 17th century, women who rode wore an outfit called a devantiere. [1] The skirt of the devantiere was split up the back to enable astride riding. [2] By the early 19th century, in addition to describing the whole costume, a devantiere could describe any part of the riding habit, be it the skirt, [2] the apron, [3] or the riding ...
Classic riding jodhpurs, showing the extra width in the thigh area, which allows for lateral leg movement when in the saddle. Special adaptations for riding include a pattern cut with the leg seams on the outside of the leg; a patch on the inside of the knee, sometimes of a hard-wearing material such as leather; and in some cases a similar leather or leather-like panel on the seat that helps ...
Finally the frock coat became relegated to the status of ultra-formal day wear, worn only by older men. At the most formal events during the signing of the Treaty of Versailles in 1919, heads of government wore the frock coat but at more informal meetings they wore morning coats or even a lounge suit.
The upper part of dresses could now be tailored exactly to the body. Men's dresses were buttoned on the front and women's dresses got a décolletage. The lower part of men's dresses were much shorter in length than those for women. They were wide cut and often pleated with an A-line so that horse riding became more comfortable.
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The two of them went to look for men's wear at the Western Costume shop in California, which was a very large warehouse on the Warner Brothers lot and were dispensing most costumes worn in Westerns filmed in the US. There, they happened upon some dustcoats for riding horse, which had already been shown in John Ford's The Man Who Shot Liberty ...
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