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"Red Right Hand" is a song by the Australian rock band Nick Cave and the Bad Seeds. It was released as a single from their eighth studio album, Let Love In (1994), on 24 October 1994 by Mute Records. A condensed version was included in the single, while the longer version was included with the album.
The song "Red Right Hand" was covered by Arctic Monkeys as a B-side to their single "Crying Lightning" and as a bonus track on the Japanese version of their third studio album Humbug (2009); it was also covered by Giant Sand on their studio album Cover Magazine (2002).
The song "Red Right Hand" by Nick Cave and the Bad Seeds, heard in the first film, is also used in the forthcoming instalments (excluding Scream 4). Nick Cave performs a version of the track written specifically for Scream 3 in that film.
Red Hand, a rebel group in the American television series Colony; Band of the Red Hand, a fictional military group from The Wheel of Time series "Red Hand Case", a song by band Modest Mouse; Red Hand of Doom, a Dungeons and Dragons game "Red Right Hand", a song by Nick Cave and the Bad Seeds; The Red Hand Gang, a television show
Devil's Right Hand" is a song written and originally recorded and released by Steve Earle. It first appeared on a single ("Squeeze Me In" / "Devil's Right Hand", 1983) [1] and later on Earle's album Copperhead Road (1988). [2] The song has been covered by many artists, including Waylon Jennings (1986), the Highwaymen (1995) and Bob Seger (2014).
Right-on-red spread across the country in the 1970s in response to the Arab oil embargo against the United States and oil rationing. States introduced it as a gas-savings measure: The theory was ...
In March, a mother was horrified to find a pedophile symbol on a toy she bought for her daughter. Although the symbol was not intentionally placed on the toy by the company who manufactured the ...
A review for the album in The Independent noted that none of the songs "can really hold a candle to Cave's "Red Right Hand" in capturing the show's sense of fatalistic futility", adding that there seemed to be "a shared soul thing" between Cave and Carter. [19] Ted Cox, writing for the Daily Herald, described the album as "a who's who of modern ...