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Gong – two whistles facing in opposite directions on a common axis. [21] These were popular as factory whistles. Some were composed of three whistle chimes. Variable pitch whistle – a whistle containing an internal piston available for changing pitch. [22] This whistle type could be made to sound like a siren or to play a melody.
Since November 2007, Blake has been collaborating with Hawkwind full-time, performing on theremin and what he chooses to call "virtual lead guitar" . He has reunited with the 'classic-era' line-up of Gong (minus Pierre Moerlen, who died in May 2005) for one-off concerts, in May 1977, 1995, and in November 2006 at the 3rd Gong Family ...
The Oriental riff and interpretations of it have been included as part of numerous musical works in Western music. Examples of its use include Poetic Tone Pictures (Poeticke nalady) (1889) by Antonin Dvořák, [6] "Limehouse Blues" by Carl Ambrose and his Orchestra (1935), "Kung Fu Fighting" by Carl Douglas (1974), "Japanese Boy" by Aneka (1981), [1] [4] The Vapors' "Turning Japanese" (1980 ...
A Pasi gong is a medium-size gong 12 to 15 inches (30 to 38 cm) in size, with a loud crashing sound. It is used traditionally to announce the start of a performance, play or magic. It is used traditionally to announce the start of a performance, play or magic.
Finally, as the sound of the bell ebbs, the slowly decaying hum tone (an octave below the prime, see subharmonic) lingers on." [3] "When a bell is properly struck, the first note that prominently attracts the attention of the ear is what is known as the strike note, tap note, or fundamental, this is what we call the note of the bell. The low ...
Virtual acoustic space (VAS), also known as virtual auditory space, is a technique in which sounds presented over headphones appear to originate from any desired direction in space. The illusion of a virtual sound source outside the listener's head is created.
A kempul is a type of hanging gong used in Indonesian gamelan.The kempul is a set of pitched, [1] hanging, knobbed gongs, often made of bronze, wood, and cords. [2] Ranging from 19 to 25.4 cm (7.5 to 10.0 in) in diameter, the kempul gong has a flat surface with a protruding knob at the center and is played by hitting the knob with the "soft end of a mallet."
Zero to Infinity (02∞) is the tenth studio album by Gong and the seventh album by the Daevid Allen version of the group, released in 2000. Like their 1992 album Shapeshifter, it continues the Gong mythology, the central part of which was formed with the Radio Gnome Trilogy of albums, comprising Flying Teapot in 1973, followed by Angel's Egg, 1973, and You in 1974.