Search results
Results from the WOW.Com Content Network
R. Hepburn posits that while Matthew 28:9 records Mary Magdalene and the other Mary taking hold of Jesus’ feet and worshiping Him after His resurrection, the encounter recorded in John 20:17 is a different (likely earlier) encounter when Mary Magdalene is alone with the risen Christ.
It relates how Mary Magdalene went to the tomb of Jesus and found it empty. Jesus appears to her and speaks of his resurrection and dispatches Mary to tell the news to the disciples. Jesus then appears to his disciples. The events related in John 20 are described somewhat differently in Matthew 28, Mark 16, and Luke 24.
In John 20:1–13, Mary Magdalene sees the risen Jesus alone [74] [70] and he tells her "Don't touch me, for I have not yet ascended to my father." [70] Mary Magdalene's role in the resurrection narrative is greatly increased in the account from the Gospel of John.
Noli me tangere ('touch me not') is the Latin version of a phrase spoken, according to John 20:17, by Jesus to Mary Magdalene when she recognized him after His resurrection. The original Koine Greek phrase is Μή μου ἅπτου (mḗ mou háptou).
To make this claim and maintain consistency with scripture, the theory is suggested that Mary's separate existence in the two common scenes with the beloved disciple, John 19:25–27 [37] and John 20:1–11, [38] is due to later modifications, hastily done to authorize the Gospel in the late second century. John 19:25–27 in particular only ...
John 20:16 is the sixteenth verse in the twentieth chapter of the Gospel of John in the New Testament of the Bible. The verse describes the moment that Mary Magdalene realizes that Jesus has returned from the dead, when she recognizes his voice calling her name.
John 20:14 is the fourteenth verse of the twentieth chapter of the Gospel of John in the New Testament of the Christian Bible. In this verse, Mary Magdalene has just finished speaking to the angels she found in Jesus's empty tomb. She then turns and sees the resurrected Jesus, but fails to recognize him. In the Gospel of John, this is the first ...
Mark Adamo's 2013 opera The Gospel of Mary Magdalene is based largely on the Gospel of Mary and the Gospel of John. The libretto also includes quotes from the Gospel of Thomas, Pistis Sophia and the Gospel of Philip. [30] A forgery of the Gospel of Mary Magdalene appears in the X-Files episode "Hollywood A.D."