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Choral poetry is a type of lyric poetry that was created by the ancient Greeks and performed by choruses (see Greek chorus). Originally, it was accompanied by a lyre , a string instrument like a small U-shaped harp commonly used during Greek classical antiquity and later periods.
Aontas Choral Ensemble. Rosemary Collier - director (2, 4-5, 8-11, 14-16, 18) Conor O'Reilly - arrangements (4) Charts. Weekly charts. Chart (2005–06) Peak
A New Journey was recorded with the Celtic Woman backing band led by musical director David Downes, the Irish Film Orchestra conducted by John Page, and the Aontas Choral Ensemble directed by Rosemary Collier.
A Christmas Celebration was recorded in and released worldwide on 3 October 2006. The album, like the group's self-titled debut album, was produced and arranged by David Downes and features vocalists Chloë Agnew, Órla Fallon, Lisa Kelly, and Méav Ní Mhaolchatha, with violinist Máiréad Nesbitt.
To be a 'school' a group of poets must share a common style or a common ethos. A commonality of form is not in itself sufficient to define a school; for example, Edward Lear, George du Maurier and Ogden Nash do not form a school simply because they all wrote limericks. There are many different 'schools' of poetry.
History of poetry – the earliest poetry is believed to have been recited or sung, such as in the form of hymns (such as the work of Sumerian priestess Enheduanna), and employed as a way of remembering oral history, genealogy, and law. Many of the poems surviving from the ancient world are recorded prayers, or stories about religious subject ...
The Routledge Dictionary of Literary Terms. Routledge, 2005. ISBN 0-415-34017-9. J. A. Cuddon. The Penguin Dictionary of Literary Terms and Literary Theory. Penguin Books, 2000. ISBN 0-14-051363-9. Dana Gioia. The Longman Dictionary of Literary Terms: Vocabulary for the Informed Reader. Longman, 2005. ISBN 0-321-33194-X. Sharon Hamilton.
In the 17th century the repertoire was enriched with more choral and organ settings of the chorale tunes. By the end of the century a four-part setting for SATB voices had become the standard for the choral settings, while the congregational singing of chorales was tending towards monody with an instrumental accompaniment. The prolific creation ...