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New York City Ballet offers tickets for $30 to select performances for patrons ages 13 to 30 at the box office, or online or by phone with an account; sales for each performance week (Tue. evening through Sun. matinee) begin at 10:00 a.m. on the Monday of that week.
The David H. Koch Theater is a theater for ballet and dance at Lincoln Center in the Lincoln Square neighborhood of Manhattan in New York City.Originally named the New York State Theater, [1] the venue has been home to the New York City Ballet since its opening in 1964, the secondary venue for the American Ballet Theatre in the fall, and served as home to the New York City Opera from 1964 to 2011.
The balcony scene from Romeo and Juliet was staged by Sean Lavery, assistant to the ballet master in chief at New York City Ballet to Prokofiev's Romeo and Juliet (1934–1940). The premiere took place 24 February 1991 at the New York State Theater , Lincoln Center .
New York City Ballet American Music Festival (9 P) C. Choreographers of New York City Ballet (1 C, 16 P) D. New York City Ballet Diamond Project (1 C, 10 P) I.
Amar Ramasar (born 1981) [1] [2] is an American ballet dancer and former principal dancer of the New York City Ballet (NYCB). Ramasar joined the NYCB as an apprentice in 2000 and joined the corps de ballet in 2001. [3]
Dances at a Gathering is the first ballet Robbins created for the New York City Ballet (NYCB) in years, after he worked on Broadway theatre. [1] He first planned to make a pas de deux for Patricia McBride and Edward Villella, but it was eventually expanded to five couples. [2]
Classical ballet Romeo + Juliet , as it is displayed in print, is a ballet by New York City Ballet balletmaster-in-chief Peter Martins to Sergei Prokofiev 's Romeo and Juliet (1934–1940). The premiere took place on Tuesday, 1 May 2007 at the New York State Theater , Lincoln Center .
Stafford became an apprentice at New York City Ballet in October 1998, and joined the corps de ballet in February 1999. He became a soloist in 2006, and taught in the School of American Ballet as a guest faculty. The following year, he was promoted to principal dancer, and joined SAB's permanent faculty.