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"Fifth Avenue New York City" by The Vandals "Fifth Avenue Rag" by David Chesky "Fifth Avenue Waltz" by Robert Mersey "Fifty Four" by Sea Level "Fifty Second Street" by Andy Kirk "Fight The Power (Flavor Flav Meets Spike Lee)" by Public Enemy "Fighting 69th" by Dropkick Murphys "Find It in New York" by Michelle Wright
Bands should be notable and linked to their articles which lists their New York origins in the lead. References should be provided for any new entries on this list. Bands may be temporarily red-linked (while an article is developed) as long as the reference establishes that the band is notable and from New York.
"Tenth Avenue Freeze-Out" has become a staple of Springsteen's E Street Band concert tours, with regular appearances from the 1975 and on the Born to Run tours through the 1984 legs of the Born in the U.S.A. Tour, with one of the latter documented on the later Live/1975–85, and the 1988 Tunnel of Love Express.
"6th Avenue Heartache" is a song by the American rock band The Wallflowers. It was released in April 1996 as the lead single from their second album Bringing Down the Horse . The song became their first hit, peaking at No. 8 on the US Modern Rock Tracks chart, No. 10 on the US Mainstream Rock Tracks chart, and No. 33 on the US Hot 100 Airplay ...
Seventh Avenue South was a jazz club in New York City. It existed from 1977 to 1987. [1] The Seventh Avenue South was located in Greenwich Village, Manhattan (21 Seventh Avenue South/Leroy Street) and it was founded by the brothers Randy and Michael Brecker. [2]
Rappers from New York City (5 C, 87 P) Pages in category "Singers from New York City" The following 200 pages are in this category, out of approximately 800 total.
A second Copacabana—the first outside New York—was readied for a grand opening in Fort Lauderdale, Florida on September 13, 2012, in the historic Las Olas District at 219 S. Andrews Avenue. On January 24, 2013, the location closed. [25]
“Second Avenue” is a song written by American singer-songwriter Tim Moore. The song was released in 1974 as Moore's second single from his debut LP, concurrently with a version by Art Garfunkel (billed as simply Garfunkel), which received greater notice.