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  2. Slip casting - Wikipedia

    en.wikipedia.org/wiki/Slip_casting

    [26] [27] [28] Typical deflocculant additions used for a Vitreous China casting slip are 0.1-0.65%; the rheological properties of the clay components are the main influencing factors for the dosage. [29] A mathematical formula developed by Alexandre Brongniart of Sèvres Porcelain is used to determine the dry material content of the slip. This ...

  3. Biscuit (pottery) - Wikipedia

    en.wikipedia.org/wiki/Biscuit_(pottery)

    The porous nature of (fired) biscuit earthenware means that it readily absorbs water, while vitreous wares such as porcelain, bone china and most stoneware are non-porous even without glazing. [6] The temperature of biscuit firing is today usually at least 1000°C, although higher temperatures are common. [7]

  4. Pit fired pottery - Wikipedia

    en.wikipedia.org/wiki/Pit_fired_pottery

    Pit-firing continued to be used by Pueblo potters, in particular in New Mexico, and other areas of the American Southwest. This pottery is handmade, and potters dig clay locally to produce their wares. Tempering agents like sand, volcanic ash, or pieces of ground-up broken pottery are combined with the clay to harden it during the firing process.

  5. Conservation and restoration of ceramic objects - Wikipedia

    en.wikipedia.org/wiki/Conservation_and...

    Porcelain and stoneware are fired at the highest temperatures between 1200–1400°C or 2192–2552°F. Porcelain clay mixtures are fired to create a non-porous and very hard surface. [ 3 ] : p.98 However, the materials also create a very brittle surface which increases the potential for chips, cracks and breaks.

  6. Saggar - Wikipedia

    en.wikipedia.org/wiki/Saggar

    Saggars in use in the Manufacture nationale de Sèvres Bungs of saggars inside a bottle kiln. A saggar (also misspelled as sagger or segger) is a type of kiln furniture. [1] [2] [3] It is a ceramic boxlike container used in the firing of pottery to enclose or protect ware being fired inside a kiln.

  7. Patrick O'Hara (artist) - Wikipedia

    en.wikipedia.org/wiki/Patrick_O'Hara_(artist)

    Some parts of his sculptures are less than 1 mm thin. The clay he uses is a translucent hard-paste porcelain, which he gets from Stoke-on-Trent. [2] Because the porcelain clay softens during the second firing process, every single part of the sculpture down to the thin insect antenna has to be propped up with pre-fired clay rods and ceramic ...

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