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Reverberation (commonly shortened to reverb), in acoustics, is a persistence of sound after it is produced. [1] Reverberation is created when a sound or signal is reflected. This causes numerous reflections to build up and then decay as the sound is absorbed by the surfaces of objects in the space – which could include furniture, people, and ...
Industrial noise control is a subset of interior architectural control of noise, with emphasis on specific methods of sound isolation from industrial machinery and for protection of workers at their task stations. Sound masking is the active addition of noise to reduce the annoyance of certain sounds, the opposite of soundproofing.
The first reverb effects, introduced in the 1930s, were created by playing recordings through loudspeakers in reverberating spaces and recording the sound. [2] The American producer Bill Putnam is credited for the first artistic use of artificial reverb in music, on the 1947 song "Peg o' My Heart" by the Harmonicats.
To maximize gain before feedback, the amount of sound energy that is fed back to the microphones must be reduced as much as is practical.As sound pressure falls off with 1/r with respect to the distance r in free space, or up to a distance known as reverberation distance in closed spaces (and the energy density with 1/r²), it is important to keep the microphones at a large enough distance ...
A reverberation chamber is used to test the sound absorption coefficients and NRC of a material. The noise reduction coefficient (commonly abbreviated NRC) is a single number value ranging from 0.0 to 1.0 that describes the average sound absorption performance of a material. An NRC of 0.0 indicates the object does not attenuate mid-frequency ...
Sound baffles are a fundamental tool of noise mitigation, the practice of minimizing noise pollution or reverberation. An important type of sound baffle is the noise barrier constructed along highways to reduce sound levels in the vicinity of properties.
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Gated reverb or gated ambience is an audio processing technique that combines strong reverb and a noise gate that cuts the tail of the reverb. The effect is typically applied to recordings of drums (or live sound reinforcement of drums in a PA system ) to make the hits sound powerful and "punchy" while keeping the overall mix sound clean and ...
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