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Chronophotography of a European bee-eater (Merops apiaster) in flight at Pfyn-Finges, Switzerland. Chronophotography is defined as "a set of photographs of a moving object, taken for the purpose of recording and exhibiting successive phases of motion". [1]
Motion control camera rigs are also used in still photography with or without compositing; for example in long exposures of moving vehicles. [ 1 ] [ 2 ] Today's computer technology allows the programmed camera movement to be processed, such as having the move scaled up or down for different sized elements.
Galloping horse, animated using photos by Muybridge (1887) Eadweard Muybridge (/ ˌ ɛ d w ər d ˈ m aɪ b r ɪ dʒ /; 9 April 1830 – 8 May 1904, born Edward James Muggeridge) was an English photographer known for his pioneering work in photographic studies of motion, and early work in motion-picture projection.
Horse galloping The Horse in Motion, 24-camera rig with tripwires GIF animation of Plate 626 Gallop; thoroughbred bay mare Annie G. [1]. Animal Locomotion: An Electro-photographic Investigation of Consecutive Phases of Animal Movements is a series of scientific photographs by Eadweard Muybridge made in 1884 and 1885 at the University of Pennsylvania, to study motion in animals (including humans).
The Horse in Motion: June 1878 Eadweard Muybridge: Palo Alto, California, United States Series of cabinet cards regarded as a precursor to motion pictures. Pictured left is the variant Sallie Gardner at a Gallop, which further captured a horse's motion. [s 2] [s 3]
Muybridge started lecturing about the horse pictures in July 1878, using a stereopticon to project the photographs and examples of the misconceptions of the motions of horses from art history. To demonstrate how the awkward positions in his photographs really made up the graceful movements, he developed a phenakistiscope -based projector with ...
In motion pictures, the manipulation of time and space is a considerable contributing factor to the narrative storytelling tools. Film editing plays a much stronger role in this manipulation, but frame rate selection in the photography of the original action is also a contributing factor to altering time.
All images of the known 71 disks, including those of the photographic disk, were rendered in elongated form to compensate the distortion of the projection. The projector was related to other projecting phenakistiscopes and used some slotted metal shutter discs that were interchangeable for different picture disks or different effects on the ...