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The Enemy Way ceremony involves song, sandpainting, dance, and the powerful mythical figure Monster Slayer. [10] The ceremony lasts for several days and includes the enacting of a battle. [11] Associated with the Enemy Way is a Girl's Dance, to which young men are invited by marriageable young women. [12]
Similar to other Indigenous cultures, Navajo girls participate in a rite of passage ceremony that is a celebration of the transformation into womanhood. This event is marked with new experiences and roles within the community. Described as Kinaaldá, the ritual takes place over four days, during the individual's first or second menstrual period.
Her parents were Long Life Boy and Happiness Girl, who "represent the means by which all life passes through time." [3] She is associated with a young Navajo woman's entry into puberty, and the kinaalda, a four-day rite at that time. Changing Woman is celebrated in the Blessing Way, a Navajo prayer ceremony that brings fortune and long life. [3]
Etched into rock panels on the lower southwest walls of the canyon are petroglyphs or rock art depicting what is believed to be ceremonial scenes and symbolic images that represent the stories, traditions and beliefs of the Navajo people. Dating back to the 16th, 17th, and 18th centuries, the petroglyphs have maintained their integrity despite ...
It had to offer the public an opportunity to sense the beauty, dignity, and profound logic of Navajo religion. Their chosen architect, William Penhallow Henderson, based his design on the hooghan (the hogan), the traditional Navajo home and the setting for Navajo ceremonies. Klah blessed the ground on which the museum is built but died a few ...
A weaving based on a Whirling Log ceremony sand painting by Klah, circa 1925. Hosteen Klah (Navajo: Hastiin Tłʼa, 1867– February 27, 1937) [1] was a Navajo artist and medicine man. He documented aspects of Navajo religion and related ceremonial practices. As a traditional nádleehi person, he was both a ceremonial singer and master weaver.
One boy and one girl stood on the east, south, west and north side of him, holding crosses and hoops. The youngsters danced to the patient while the medicine man started to sing. The boy then placed the hoops over the patient’s head and the girls holding the crosses. Then the boys and girls danced back to their original position.
Navajo rugs are woven by Navajo women today from Navajo-Churro sheep, other breeds of sheep, or commercial wool. Designs can be pictorial or abstract, based on historic Navajo, Spanish, Asian, or Persian designs. 20th century Navajo weavers include Clara Sherman and Hosteen Klah, who co-founded the Wheelwright Museum of the American Indian.