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Death of the Virgin; Artist: Petrus Christus: Death of the Virgin is a 1460–65 painting by Petrus Christus. [1] References This page was last edited on 19 June ...
Petrus Christus (Dutch: [ˈpeːtrʏs ˈkrɪstʏs,-ˈxrɪs-]; c. 1410/1420 – c. 1475/1476) was an Early Netherlandish painter active in Bruges from 1444, where, along with Hans Memling, he became the leading painter after the death of Jan van Eyck.
Van der Goes was a highly progressive and original artist, but at the same time heavily influenced by both contemporary and predecessor artists. Inspiration for this work can be detected in Petrus Christus' c 1457–67 Death of the Virgin [11] [5] and by works attributed to the workshop of Rogier van der Weyden. [12]
Paintings by Petrus Christus (c. 1410/1420−1475/1476) ... Death of the Virgin (Christus) E. Exeter Madonna; G. A Goldsmith in His Shop; L. Lamentation (Pietà) M.
Death of the Virgin, Hugo van der Goes, c. 1480. The Death of the Virgin Mary is a common subject in Western Christian art, and is the equivalent of the Dormition of the Theotokos in Eastern Orthodox art. This depiction became less common as the doctrine of the Assumption gained support in the Roman Catholic Church from the Late Middle Ages onward.
The Death of the Virgin is a common subject in Christian art, depicting the death of the Virgin Mary. Death of the Virgin may also refer to: Death of the Virgin, a 1460–1465 painting by Petrus Christus; Death of the Virgin, a 1462–1464 painting by Andrea Mantegna; Death of the Virgin (van der Goes), a 1472–1480 painting by Hugo van der ...
Lamentation (Pietà) (also Lamentation Over The Dead Christ) is an oil painting on panel of the common subject of the Lamentation of Christ that is now regarded as by an artist in the "circle" of the Early Netherlandish painter Petrus Christus, rather than by Christus himself.
Death of the Virgin It was during this period that Hugo van der Goes painted the Adoration of the Magi (also known as the Monforte Altarpiece ( Gemäldegalerie, Berlin )) and worked on the commission of Tommaso Portinari for the Portinari Altarpiece ( Uffizi , Florence), which arrived at its destination in Florence only in 1483, when the artist ...