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The film is an adaptation of the 1916 zarzuela Goyescas by Enrique Granados, and also drew inspiration from the work of the artist Francisco Goya. The film was part of the popular trend for operetta films in Europe during the era. Perojo had been planning the production for around a decade before it was ultimately made. [1]
In 1911 Granados premiered his suite for piano Goyescas, which became his most famous work. It is a set of six pieces based on paintings of Francisco Goya. Such was the success of this work that he was encouraged to expand it. He wrote an opera based on the subject in 1914, but the outbreak of World War I forced the European premiere to be ...
Portrait of Goya by Vicente López Portaña, c. 1826. Museo del Prado, Madrid. Francisco José de Goya y Lucientes (1746–1828) was a Spanish artist, now viewed as one of the leaders of the artistic movement Romanticism. He produced around 700 paintings, 280 prints, and several thousand drawings.
Francisco de Goya was born in Fuendetodos, Aragón, Spain, on 30 March 1746 to José Benito de Goya y Franque and Gracia de Lucientes y Salvador. The family had moved that year from the city of Zaragoza , but there is no record of why; likely, José was commissioned to work there. [ 4 ]
I Was an American Spy: Claire Phillips: Ann Dvorak: I'll See You in My Dreams: Gus Kahn: Danny Thomas: Jim Thorpe – All-American: Jim Thorpe: Burt Lancaster: The Lady and the Bandit: Dick Turpin: Louis Hayward: The Lady with the Lamp: Florence Nightingale: Anna Neagle: The Magic Box: William Friese-Greene: Robert Donat: The Man with a Cloak ...
The series was intended by Goya as a commercial venture but this was unsuccessful, partly because of Goya's expressive use of the form was radically different from the tidy appearance of most lithographs of the time. [2] A sense of Goya's working methods can be gained from Goya's companion and assistant in Bordeaux Antonio Brugada
The Goya Award for Best Picture (Spanish: Premio Goya a la mejor película) is one of the Goya Awards, Spain's principal national film awards. The category was first awarded in 1986 to Fernando Fernán Gómez 's drama film Voyage to Nowhere .
Goya sought inspiration in typically Spanish motifs, despite having access to more popular works. [20] The painting depicts a scene from Act III of Zamora's comedy, which is a reinterpretation of The Trickster of Seville and the Stone Guest by Tirso de Molina , a retelling of the Don Juan legend.