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Painting of a musician playing a paiban. Mogao Caves, cave 159, paiban A paiban used in Chaozhou music. The paiban (Chinese: 拍板; pinyin: pāibǎn) is a clapper made from several flat pieces of hardwood or bamboo (or, formerly, sometimes also ivory or metal), which is used in many different forms of Chinese music. [1]
A matraca from Mission Santa Barbara, c. 1900. Made from wood, the particular style and manner of noise-making varies between different clappers.Some use an integral hammer that strikes the wood, while others use a piece of wood that rides over a gear to make a clicking noise. [10]
This wooden clapper is a Ghana Vadya which has discs or plates that produce a clinking sound when clapped together. It falls under the class of idiophones of self-sounding instruments that combine properties of vibrator and resonator. Usually made of wood or metal, a khartal player will hold one ‘male’ and ‘female’ khartal in each hand.
The sound produced is affected by the instrument's size, type of wood, and how hollow it is. Most wood instruments are of the ancient variety: Zhu (Chinese: 柷; pinyin: zhù) – a wooden box that tapers from the top to the bottom, played by hitting a stick on the inside, used to mark the beginning of music in ancient ritual music
Chuk (축; 柷) – A wooden box, played by hitting a stick on the inside, used to mark beats or sections; derived from the Chinese zhù; used in ancient ritual music Eo (어; 敔 ) – A wooden percussion instrument carved in the shape of a tiger with a serrated back, played by running a bamboo whisk across it to mark the ends of sections ...
A clapper is a basic form of percussion instrument. It consists of two long solid pieces that are struck together producing sound. They exist in many forms in many different cultures around the world. Clappers can take a number of forms and be made of a wide variety of material. Wood is most common, but metal and ivory have also been used.
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Plucking is accomplished by using the thumb and forefinger to force the clapper head into the casting while the bell is on the table with the handle toward the ringer, producing a staccato tone. [19] Shaking is accomplished by rapidly ringing the bell back and forth so the clapper strikes the front and back of the casting in quick succession ...
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