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"This sentence is false" is an example of the well-known liar paradox: it is a sentence that cannot be consistently interpreted as either true or false, because if it is known to be false, then it can be inferred that it must be true, and if it is known to be true, then it can be inferred that it must be false.
Antimetabole: a sentence consisting of the repetition of words in successive clauses, but in reverse order. Antithesis : juxtaposition of opposing or contrasting ideas in separate clauses. Aphorismus : statement that calls into question if a word or phrase is properly used to characterize a subject.
Semantic prosody, also discourse prosody, describes the way in which certain seemingly neutral words can be perceived with positive or negative associations through frequent occurrences with particular collocations. Coined in analogy to linguistic prosody, popularised by Bill Louw.
Oxymorons in the narrow sense are a rhetorical device used deliberately by the speaker and intended to be understood as such by the listener. In a more extended sense, the term "oxymoron" has also been applied to inadvertent or incidental contradictions, as in the case of "dead metaphors" ("barely clothed" or "terribly good").
In rhetoric, antithesis is a figure of speech involving the bringing out of a contrast in the ideas by an obvious contrast in the words, clauses, or sentences, within a parallel grammatical structure. [7] The term "antithesis" in rhetoric goes back to the 4th century BC, for example Aristotle, Rhetoric, 1410a, in which he gives a series of ...
In linguistics, a disjunct is a type of adverbial adjunct that expresses information that is not considered essential to the sentence it appears in, but which is considered to be the speaker's or writer's attitude towards, or descriptive statement of, the propositional content of the sentence, "expressing, for example, the speaker's degree of truthfulness or his manner of speaking."
As an adjunct, a modifier clause is normally at the beginning or the end of a sentence and usually attached to the subject of the main clause. However, when the subject is missing or the clause attaches itself to another object in a sentence, the clause is seemingly "hanging" on nothing or on an inappropriate noun.
Some seemingly unrelated words share a common historical origin, however, so etymology is not an infallible test for polysemy, and dictionary writers also often defer to speakers' intuitions to judge polysemy in cases where it contradicts etymology. [6] English has many polysemous words.