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Mexican Spaghetti Western is a studio album by Robert Rodriguez's band, Chingon. Originally released in 2004 exclusively on the band's website, it became available in stores on April 10, 2007. The original non-digi-pak release of the album did not include the song "Cielito Lindo".
Chingon was formed by film director Robert Rodriguez to record songs for his 2003 film Once Upon a Time in Mexico.They contributed to Mexico and Mariachis, a compilation album from Rodriguez' Mariachi Trilogy, and released their debut album, Mexican Spaghetti Western, in 2007.
It should only contain pages that are Chingon (band) albums or lists of Chingon (band) albums, as well as subcategories containing those things (themselves set categories). Topics about Chingon (band) albums in general should be placed in relevant topic categories .
Direct-to-video From Dusk Till Dawn 3: The Hangman's Daughter: No Story Executive No No No No Direct to video Presenter and special thanks (as Robert R., Mi Hermano) 2001 Spy Kids: Yes Yes Yes Yes No Yes Yes Also visual effects supervisor and camera operator; Writer: "Oye Como Spy", "Los Robotos". 2002 Spy Kids 2: The Island of Lost Dreams: Yes ...
Rodriguez was born in San Antonio, Texas, the son of Mexican parents Rebecca (née Villegas), a nurse, and Cecilio G. Rodríguez, a salesman. [5] [6] He began his interest in film at age eleven, when his father bought one of the first VCRs, which came with a camera. [7] Robert Rodriguez (right) at the 1993 Atlanta Film Festival.
In her review for USA Today, Claudia Puig wrote, "In Mexico, Rodriguez has fashioned a swaggering fantasy that pays homage to spaghetti Westerns such as Sergio Leone's The Good, the Bad and the Ugly. Plenty of blood is shed, much powerful artillery is fired, and action sequences provide astounding car crashes and fiery explosions."
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In 1998, Rodriguez acquired the film rights to Mike Allred's Madman comics. Both he and Allred gave numerous signals as to the start of production over the years, but as both had been occupied with other projects (Allred was instrumental in connecting Rodriguez with Frank Miller, leading to the production of Sin City), no results emerged despite both remaining eager to see the film made. [1]
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