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Street art influence in politics refers to the intersection of public visual expressions and political discourse.Street art, including graffiti, murals, stencil art, and other forms of unsanctioned public art, has been an instrumental tool in political expression and activism, embodying resistance, social commentary, and a challenge to power structures worldwide.
The work was created by John Kiss, an Israeli street artist and peace activist. [1] [2] [3] Known previously as Jonathan Kis-Lev, [4] his graffiti work, political installations, community-based projects and public artworks have granted him the title the “Israeli Banksy.” [5] [6] [7]
Protest art helps arouse base emotions in their audiences, and in return may increase the climate of tension and create new opportunities to dissent. Since art, unlike other forms of dissent, takes few financial resources, less financially able groups and parties can rely more on performance art and street art as an affordable tactic. [1]
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Often considered guerilla-art, street art operates free from the confines of the formal art world. [39] In the form of graffiti, stencil, mural, and print, street art appropriates or alters public spaces as a means of protest and social commentary. Important aspects of street art as an alternative form are its blend of aesthetics and social ...
Anarchy and Art: From the Paris Commune to the Fall of the Berlin Wall. Arsenal Pulp Press. ISBN 978-1-55152-218-0. Bruns, Gerald (2006). On the Anarchy of Poetry and Philosophy: A Guide for the Unruly. Fordham University Press. ISBN 0-8232-2633-6. Blechman, Max (1994). Drunken Boat: Art, Rebellion, Anarchy. Left Bank Books and Autonomedia.
In October 2007, Shepard Fairey, who had created political street art critical of the US government and George W. Bush, discussed the Obama presidential campaign with publicist Yosi Sergant. Sergant contacted the Obama campaign to seek permission for Fairey to design an Obama poster, which was granted a few weeks before Super Tuesday.
Wall of Respect was an example of the Black Arts Movement, an artistic school associated with the Black Power Movement. [6] The scholarly journal Science & Society underscored the significance of the Wall of Respect as "the first collective street mural", in the "important subject [of] the recently emerged street art movement."