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The album was included in the book 1001 Albums You Must Hear Before You Die. [16] In a 2014 interview with rapper and producer Q-Tip, actor Leonardo DiCaprio expresses his admiration for The Predator. He stated that the album was the "magnum opus of Ice Cube's solo career" and it was a "voice for the angry and unheard during the 90s".
The Predator: Original Motion Picture Soundtrack is the score album to the 2018 film of the same name directed by Shane Black, who wrote the script with Fred Dekker, and is the fourth installment in the Predator franchise. The film is scored by Henry Jackman, the third composer to score for the franchise.
In 2010, the same year Predators featured an adaptation of Silvestri's score by John Debney, Intrada Records released the album in a 3000-copy limited edition with remastered sound, many cues combined and renamed, and most notably (as with Intrada's release of Basil Poledouris's score for RoboCop) presenting the original end credits music as ...
Predator 2: Original Motion Picture Soundtrack is the official soundtrack album of the 1990 science fiction film Predator 2. It was composed and conducted by Alan Silvestri . The score is orchestral whilst also mixing traditional African instruments and was released on December 13, 1990, via Varèse Sarabande label.
The Predator is the third EP by American metalcore band Ice Nine Kills and was self-released by the band on January 15, 2013. The EP debuted at No. 9 on the Billboard Heatseekers chart.
"Leave a Light On (Talk Away the Dark)" is a song by American rock band Papa Roach. Originally released as a song on their 2022 album Ego Trip , it was released as a single on November 24, 2023, in collaboration with the American Foundation for Suicide Prevention for the Talk Away the Dark campaign.
"Light On" is a song by American singer and songwriter Maggie Rogers. It was released on October 10, 2018 as the fifth single of Rogers' major-label debut studio album, Heard It in a Past Life (2019). [1] Rogers co-wrote the song with Kid Harpoon and both co-produced it with Greg Kurstin.
Throwing Copper has typically been regarded as Live's strongest album. A Rolling Stone review stated that the band "strive for an epic sound" and successfully execute on that goal; [15] retrospective reviews have been similarly positive, with the Jakarta Post describing the album as "a solid beast from front to back" and uDiscoverMusic characterizing it as "challenging, yet commendably powerful".