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Following the closure of the De Morgan Centre, London, in the summer of 2014, the Watts Gallery and the De Morgan Foundation, a registered charity [8] preserving the work of William De Morgan and Evelyn De Morgan, entered into a collaboration which saw the opening of a long term exhibition in the Richard Jeffries Gallery in the main gallery building. [9]
Watts worked on the painting for a further five years, and the completed version was exhibited for the first time at the New Gallery in 1891. Between 1902 and 1906 the painting was exhibited around the United Kingdom, and it is now in the collection of the Watts Gallery in Compton , Surrey.
Watts was born in Marylebone in central London on the birthday of George Frederic Handel (after whom he was named), to the second wife of a poor piano-maker. Delicate in health and with his mother dying while he was still young, he was home-schooled by his father in a conservative interpretation of Christianity as well as via the classics such as the Iliad.
Alexander Constantine Ionides and his wife and children, by George Frederic Watts, 1841 (Watts Gallery) – Aglaia is the fourth figure from the left. Of Greek descent, she was the elder daughter of businessman and art collector Alexander Constantine Ionides, who had immigrated to London from Constantinople (present day Istanbul) in 1827. [2]
Current notable members include artist Chila Kumari Burman, [43] Jane Cox, a Fellow of the Craft Potters Association and Chair of the Outreach Committee of the Art Workers Guild (who run projects across various institutions such as the V&A, Courtauld Institute, Watts Gallery and Imperial College London) [44] and Fleur Oates, a lacemaker and ...
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