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1991: Greg & Steve Live! in Concert; 1993: Greg and Steve Musical Adventures (music video compilation) 1994: We All Live Together, Vol. 5; 1995: Rockin' Down the Road; 1997: Big Fun (which won a Children's Music Web Award in 1998) 2000: Kids in Action; 2002: Fun & Games; 2004: Ready Set Move; 2006: Shake, Rattle & Rock; 2006: Greg & Steve: Live ...
High Country Snows is the ninth album by American singer-songwriter Dan Fogelberg, released in 1985 (see 1985 in music). This album was a seminal part of Progressive Bluegrass, or "Newgrass", and featured many bluegrass star players.
Red Dirt Road (song) Road Rage (song) The Road to Hell (song) (We're Off on the) Road to Morocco; Road Trippin' Road Trippin' (Dan + Shay song) Roads (Red Army Choir song) (Get Your Kicks on) Route 66
Although it was not released as a single A-side, "Rockin' Down the Highway" became a popular album-oriented rock radio song. [7] [8] [9] [10]Writing for Rolling Stone in 1972, Steve Ditlea praised the "piano-driven" "Rockin' Down the Highway" as one of multiple "fine songs" that the Doobie Brothers added to the rock genre on Toulouse Street.
Carl Lee Perkins (April 9, 1932 – January 19, 1998) [1] [2] was an American guitarist, singer and songwriter. A rockabilly great and pioneer of rock and roll, he began his recording career at the Sun Studio, in Memphis in 1954.
Somewhere Down the Road is the seventeenth studio album by Christian music and pop music singer-songwriter Amy Grant, released in 2010. It is a unique album featuring eight new songs, a new recording of the song "Arms of Love", from her 1982 album Age to Age , and rounded out with three of Grant's previously released story-songs.
The list gives their date, cause and location of death, and their age. Rock music developed from the rock and roll music that emerged during the 1950s, and includes a diverse range of subgenres. The terms "rock and roll" and "rock" each have a variety of definitions, some narrow and some wider.
J. Greg Robertson of the Hartford Courant similarly found the song to be in the Doobie Brothers' traditional style, with "fast tempo, multiple drumming, standard guitar riffs and group vocals." [3] On the other hand, David Guo of the Pittsburgh Post-Gazette remarked that the song's "warbling and syncopated rhythms" were reminiscent of Steely ...