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In the cinema of the United States, a unit production manager (UPM) is the Directors Guild of America–approved title for the top below-the-line staff position, responsible for the administration of a feature film or television production. Non-DGA productions might call it the production manager or production supervisor.
An American poster from the 1940s. A supervisor, or lead, (also known as foreman, boss, overseer, facilitator, monitor, area coordinator, line-manager or sometimes gaffer) is the job title of a lower-level management position and role that is primarily based on authority over workers or a workplace. [1]
These positions are responsible for the fabrication of a production prior to the initial performance. Although there will be significant involvement in initial development of a production, some of these positions may not be involved once performances before an audience begin. Actor; Audio Engineer; Backstage; Carpenter and master carpenter ...
The production manager makes deals concerned with business about the crew, and organizes the technical needs of the production. This would involve many things ranging from gaining the correct equipment with the exact technical requirements; to arranging accommodation for the cast and crew.
Gaffer Patrick Shellenberger in a production photograph on the set of Dim Sum: A Little Bit of Heart. In film and television crews, the gaffer or chief lighting technician is the head electrician, responsible for the execution (and sometimes the design) of the lighting plan for a production.
In the context of film and television production, a visual effects supervisor is responsible for achieving the creative aims of the director or producers through the use of visual effects. [ 1 ] While it is a creative role, most supervisors possess a strong technical background and are capable of making informed decisions about the most ...
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