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The company's Pomona (1885) and The Achievement of the Grail (1895–96) tapestries demonstrate an adherence to the medieval millefleur style. Other tapestries such as their The Adoration of the Magi (1890) and The Failure of Sir Gawain (c. 1890s) use the style more liberally, borrowing the flowers' often flat, splayed appearance, but ...
The Triumph of Fame is one of a set of six tapestries, the other five of which are now lost, based on Petrarch's Trionfi. It was created probably in Brussels, by an unknown workshop. This work, or one identical to it, was bought by Queen Isabella of Spain and Castile in 1504. This tapestry uses a silk weft that covers the wool warp.
The tapestries made for the very small number of customers able to commission the best pieces were now extremely large, and extremely expensive, very often made in sets, and often showed complicated narrative or allegorical scenes with large numbers of figures. [22]
The Unicorn Tapestries or the Hunt of the Unicorn (French: La Chasse à la licorne) is a series of seven tapestries made in the South Netherlands around 1495–1505, and now in The Cloisters in New York. They were possibly designed in Paris and show a group of noblemen and hunters in pursuit of a unicorn through an idealised French landscape ...
Morris wrote that making tapestries was 'the noblest of all the weaving arts', and most suitable for his interest in reviving medieval arts and crafts. He set up his first tapestry loom in 1877, and made completed his first tapestry, was 'Acanthus and Vine' in (1879).
The tapestries would have been produced by a large workshop of skilled weavers, working to designs made by an artist. Neither the designer nor the workshop can be identified, as is common at this period. [2] Though considered as a set, the four tapestries were created at different times. [2]
The Franses Tapestry Archive and Library in London is devoted to the study of European tapestries and figurative textiles. [1] It is the world’s largest academic research resource on the subject. [ 2 ] [ 1 ]
The panel was researched by Tom Mor, Tom Maddock, Paul Presswell and Freda Simpson. Chief tapissiers were Joan Roncarelli and Renée Harvey. A New World Tapestry Website has been developed as of December 2008 and will soon include 120 pages, showing all complete panels. [8] Research for the New World Tapestry's twenty-four panels began in 1980.