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  2. Loudness war - Wikipedia

    en.wikipedia.org/wiki/Loudness_war

    The practice of focusing on loudness in audio mastering can be traced back to the introduction of the compact disc, [3] but also existed to some extent when the vinyl phonograph record was the primary released recording medium and when 7-inch singles were played on jukebox machines in clubs and bars.

  3. Audio editing software - Wikipedia

    en.wikipedia.org/wiki/Audio_editing_software

    Playback sound (often after being mixed) that can be sent to one or more outputs, such as speakers, additional processors, or a recording medium; Conversion between different audio file formats, or between different sound quality levels. Typically these tasks can be performed in a manner that is non-linear. Audio editors may process the audio ...

  4. Audio normalization - Wikipedia

    en.wikipedia.org/wiki/Audio_normalization

    Another type of normalization is based on a measure of loudness, wherein the gain is changed to bring the average loudness to a target level. This average may be approximate, such as a simple measurement of average power (e.g. RMS), or more accurate, such as a measure that addresses human perception e.g. that defined by EBU R128 and offered by ReplayGain, Sound Check and GoldWave.

  5. Audacity (audio editor) - Wikipedia

    en.wikipedia.org/wiki/Audacity_(audio_editor)

    Audacity is a free and open-source digital audio editor and recording application software, available for Windows, macOS, Linux, and other Unix-like operating systems. [ 4 ] [ 5 ] As of December 6, 2022, Audacity is the most popular download at FossHub, [ 8 ] with over 114.2 million downloads since March 2015.

  6. Skip (audio playback) - Wikipedia

    en.wikipedia.org/wiki/Skip_(audio_playback)

    Vinyl records are easily scratched and vinyl readily acquires a static charge, attracting dust that is difficult to remove completely. Dust and scratches cause audio clicks and pops and, in extreme cases, they can cause the needle (stylus) to skip over a series of grooves, or worse yet, cause the needle to skip backwards, creating an unintentional locked groove that repeats the same 1.8 ...

  7. Comparison of free software for audio - Wikipedia

    en.wikipedia.org/wiki/Comparison_of_free...

    Audacity: Dominic Mazzoni Yes Yes Yes Yes wxWidgets multi-track audio recorder and editor GPL-2.0-or-later, CC BY 3.0 (documentation) Ecasound: Yes Yes Yes Yes limited support through Cygwin: command line audio recorder GPL-2.0-or-later: Gnome Wave Cleaner: Jeff Welty Yes No No GTK+ audio editor GPL-2.0-or-later: Jokosher: Jokosher community ...

  8. dbx (noise reduction) - Wikipedia

    en.wikipedia.org/wiki/Dbx_(noise_reduction)

    For high fidelity recordings, reel-to-reel audio tape recording typically works at tape speeds of 15 or 7.5 inches-per-second (38 or 19 cm/s), but this requires a lot of tape for a given amount of recording. Lower fidelity recordings can be made at 3.75 or even 1.875 ips, which allows more recording time on a given tape, but at the cost of ...

  9. Comparison of analog and digital recording - Wikipedia

    en.wikipedia.org/wiki/Comparison_of_analog_and...

    Compact Cassettes may have a response extending up to 15 kHz at full (0 dB) recording level. [17] At lower levels (−10 dB), cassettes are typically limited to 20 kHz due to self-erasure of the tape media. The frequency response for a conventional LP player might be 20 Hz to 20 kHz, ±3 dB.