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A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types.It is the highest male chest voice type. [1] Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B 2 to G 4) in choral music, and from the second B flat below middle C to the C above middle C (B ♭ 2 to C 5) in ...
The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C 3 (C one octave below middle C), to the high C (C 5). The low extreme for tenors is roughly A 2 (two octaves below middle C). At the highest extreme, some tenors can sing up to F one octave above middle C (F ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
Per Wikipedia:Manual of Style (music)#Accidentals, this template (or the terms for the accidentals) should be used in preference to the lowercase letter "b" and the number sign (#). The images used here are categorized at commons:Category:Template:Music, so if you change an image used please try to remember to update the categorization.
Composed of tenors and basses, Its configuration is Tenor 1, Tenor 2 (or lead), Bass 1 (or Baritone), and Bass 2. Typically (but not always) one of the Tenor parts is the melody, with the other parts as harmony(s). In music for barbershop quartets, which predominantly use the TTBB arrangement, the 2nd Tenor is almost always the melody. [1]
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The letters of the abbreviation are also used by publishers to describe different scorings for soloists and choirs other than four-part harmony. For example, the listing "STB solos, SATB choir" of Bach's Wachet auf, ruft uns die Stimme, BWV 140, indicates that a performance needs three soloists: soprano, tenor and bass, and a four-part choir. [5] "