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The style of architecture and design under King Louis Philippe I (1830–1848) was a more eclectic development of French neoclassicism, incorporating elements of neo-Gothic and other styles. It was the first French decorative style imposed not by royalty, but by the tastes of the growing French upper class.
Gothic façade of the Parlement de Rouen in France, built between 1499 and 1508, which inspired neo-Gothic revival in the 19th century. French neo-Gothic had its roots in the French medieval Gothic architecture, where it was created in the 12th century. Gothic architecture was sometimes known during the medieval period as the "Opus Francigenum ...
Settees were made at this time whose backs consisted of several just such immense scallops as those of these Holland House Gilt Chamber chairs; [3] and the same idea of decoration peeps out in fan-like frills at every spare corner of the Neo-Jacobean revival of the style. These shell forms of furniture might befit an oceanside home, but they ...
This style was also as "Cathedral style" ("À la catédrale") or "Troubadour style" ("style troubadour"). [1] [2] For a long time, it was believed that romanticism was the cause of the return to the Gothic style in French decorative arts and that it was appropriate to look for its origin there. This is actually much further away.
Grand Neoclassical interior by Robert Adam, Syon House, London Details for Derby House in Grosvenor Square, an example of the Adam brothers' decorative designs. The Adam style (also called Adamesque or the Style of the Brothers Adam) is an 18th-century neoclassical style of interior design and architecture, as practised by Scottish architect William Adam and his sons, of whom Robert (1728 ...
Anthony Salvin's Harlaxton Manor, 1837–1855, is an embodiment of Jacobethan architecture. The Jacobethan (/ ˌ dʒ æ k ə ˈ b iː θ ən / jak-ə-BEE-thən) architectural style, also known as Jacobean Revival, is the mixed national Renaissance revival style that was made popular in England from the late 1820s, [1] which derived most of its inspiration and its repertory from the English ...
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