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Telecommunications in the early 21st century are much more advanced and universal than they were in the late 20th century. Only a few percent of the world's population were Internet users and cellular phone owners in the late 1990s; while as of 2023, 67% of the world's population is online, [ 15 ] and 78% of all people aged 10 and above own a ...
The 21st century in literature refers to world literature produced during the 21st century. The measure of years is, for the purpose of this article, literature written from (roughly) the year 2001 to the present.
This is the lasting viral component of Spoken Word and one of the most popular forms of poetry in the 21st century. It is a new oral poetry originating in the 1980s in Austin, Texas, using the speaking voice and other theatrical elements. Practitioners write for the speaking voice instead of writing poetry for the silent printed page.
Years of the 21st century by country (272 C) This page was last edited on 24 December 2024, at 08:00 (UTC). Text is available under the Creative Commons ...
March 11: Madrid train bombings killed 193 people and injured around 2,000, Europe's deadliest attack since Pan Am Flight 103. September 1 – 3: On the first school day in Russia, a group of Chechen terrorists held students, parents and teachers hostage in Beslan school, in North Ossetia–Alania. During three days under attack, 334 people died.
In the 21st century, American literature still features a strong current of postmodern writing, like the postironic Dave Eggers' A Heartbreaking Work of Staggering Genius (2000), [5] and Jennifer Egan's A Visit from the Goon Squad (2011). [6] These works also further develop the postmodern form. [7]
New Formalism is a late 20th- and early 21st-century movement in American poetry that has promoted a return to metrical, rhymed verse and narrative poetry on the grounds that all three are necessary if American poetry is to compete with novels and regain its former popularity among the American people.
The list was compiled by a team of critics and editors at The New York Times and, with the input of 503 writers and academics, assessed the books based on their impact, originality, and lasting influence.