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The William Farquhar Collection of Natural History Drawings consists of 477 watercolour botanical drawings of plants and animals of Malacca and Singapore by unknown Chinese (probably Cantonese) artists that were commissioned between 1819 and 1823 by William Farquhar (26 February 1774 – 13 May 1839). The paintings were meant to be of ...
Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
Lake with Dead Trees, also known as Catskill, is an oil-on-canvas painting completed in 1825 by Thomas Cole.Depicting a scene in the Catskill Mountains in southeastern New York State, this work is one of five of Cole's 1825 landscapes that initiated the mid-19th century American art movement known as the Hudson River School.
Pablo Picasso, 1919, Paysage (Landscape with Dead and Live Trees), oil on canvas, 49.4 x 65.4 cm, Bridgestone Museum of Art, Tokyo Pablo Picasso, c.1919, Nature morte au pichet et aux pommes (still-life with a pitcher and apples), work on paper, dimensions and whereabouts unknown
Landscape (Landscape with Tree Trunks) 1828 Oil on canvas 66.4 by 81.9 centimetres (26.1 in × 32.2 in) Rhode Island School of Design Museum of Art, Rhode Island [42] The Garden of Eden: 1828 Oil on canvas 38.5 by 52.8 centimetres (15.2 in × 20.8 in) Amon Carter Museum of American Art, Texas [43] View on Lake Winnipiseogee: 1828 Oil on panel
Pablo Picasso, 1919, Paysage (Landscape with Dead and Live Trees), oil on canvas, 49.4 x 65.4 cm, Bridgestone Museum of Art, Tokio.jpg 800 × 601; 208 KB Pablo Picasso, 1919, Sleeping Peasants, gouache, watercolor and pencil on paper, 31.1 x 48.9 cm, Museum of Modern Art, New York.jpg 500 × 317; 92 KB
File information Description Pablo Picasso, 1919, Paysage (Landscape with Dead and Live Trees) (Paisaje con árbol muerto y vivo), oil on canvas, 49.4 x 65.4 cm, Bridgestone Museum of Art, Tokio.
While a few drawings were done in black ink or pencil, most were finely enhanced with watercolor. Many were published in Flora Parisiensis , [ 53 ] by Poiteau and Turpin (1808) and some by Turpin (and Ernestine Panckoucke ) in Flore médicale [ 54 ] by François-Pierre Chaumeton (1814–1820).
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