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Lake with Dead Trees, also known as Catskill, is an oil-on-canvas painting completed in 1825 by Thomas Cole.Depicting a scene in the Catskill Mountains in southeastern New York State, this work is one of five of Cole's 1825 landscapes that initiated the mid-19th century American art movement known as the Hudson River School.
Table featuring paintings by Thomas Cole; Image Title Year Medium Dimensions Collection Ref. Lake with Dead Trees [note 1] 1825 Oil on canvas 68.6 by 85.7 centimetres (27.0 in × 33.7 in) Allen Memorial Art Museum, Ohio [13] [14] View of Fort Putnam: 1825 Oil on canvas 69.2 by 86.4 centimetres (27.2 in × 34.0 in)
File information Description Pablo Picasso, 1919, Paysage (Landscape with Dead and Live Trees) (Paisaje con árbol muerto y vivo), oil on canvas, 49.4 x 65.4 cm, Bridgestone Museum of Art, Tokio.
File:Pablo Picasso, 1919, Paysage (Landscape with Dead and Live Trees), oil on canvas, 49.4 x 65.4 cm, Bridgestone Museum of Art, Tokio.jpg File:Pablo Picasso, 1919, Sleeping Peasants, gouache, watercolor and pencil on paper, 31.1 x 48.9 cm, Museum of Modern Art, New York.jpg
Marc Chagall [a] (born Moishe Shagal; 6 July [O.S. 24 June] 1887 – 28 March 1985 [b]) was a Russian and French artist. [c] An early modernist, he was associated with the École de Paris, as well as several major artistic styles and created works in a wide range of artistic formats, including painting, drawings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art ...
Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
The drawing is related to the painting W213 : Head of an Oriental in a Turban: c. 1636?? Private collection: The drawing is related to the painting W213 : Old Man in a Turban: c. 1636: Pen and iron-gall ink on paper tinted with a pale yellow wash: 17.3 x 13.5 cm: National Gallery of Victoria, Melbourne: The drawing is related to the painting W213
However, the drawing shows little resemblance to the latter. Historians suggest that many of the backdrops of the drawings were copied from drawing manuals. One such example is a drawing of the greater mousedeer, the background of which shows a leafless climber attached to a rock. Some scholars query this, as mousedeer do not live in such rocky ...
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