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"Ubangi Stomp" is a straightforward uptempo rock and roll song; the lyrics, not particularly belletristic (e.g."Ubangi stomp ubangi style / When the beat just drives a cool cat wild"), tell in first person the story of a sailor who goes to Africa ("I rocked through Africa and...
The song is an uptempo, in which the narrator confides in the significant other who dumped him. He informs her of a sophisticated new girlfriend who idolizes him, but this only displeases him. Likewise, he is haunted by his many flaws, which the former girlfriend knows all too well, and he feels certain that the new girlfriend will eventually ...
Love for Sale" was later chosen as the second single off the album, released on September 17, 2021, to digital retailers. [14] The duo's rendition of the Cole Porter standard is an old-fashioned duet, trading lines and harmonies over the joyous, up-tempo big-band arrangement.
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"Good Time" is an up-tempo song in which the narrator claims that he is tired after a week of working, and wants to have a party because "all the conditions are right". [ 2 ] After the first verse, the lyrics list off the various details of the party, such as "a shot of tequila, beer on tap / Sweet Southern woman to sit on my lap".
Sometimes it's a little bit more aggressive; sometimes it's a little bit more melodic; sometimes you put keyboards into that, whatever. This time, I think on the whole album, it's a good mix of songs. We have really fast songs, uptempo songs, mid-tempo songs, ballads, everything." He says that Steelfactory has an influence of Accept. [7]
YouTube Music is a music streaming service developed by the American video platform YouTube, a subsidiary of Google.The service is designed with a user interface that allows users to explore songs and music videos on YouTube based on genres, playlists, and recommendations.
Hi-NRG (pronounced "high energy") [2] is a genre of uptempo disco or electronic dance music (EDM) that originated during the late 1970s and early 1980s.. As a music genre, typified by its fast tempo, staccato hi-hat rhythms (and the four-on-the-floor pattern), reverberated "intense" vocals and "pulsating" octave basslines, it was particularly influential on the disco scene.