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Fahey in studio with Recording King guitar, c. 1970 While Fahey lived in Berkeley, Takoma Records was reborn through a collaboration with Maryland friend ED Denson.Fahey decided to track down blues legend Bukka White by sending a postcard to Aberdeen, Mississippi; White had sung that Aberdeen was his hometown, and Mississippi John Hurt had been rediscovered using a similar method.
Days Have Gone By is an album by American fingerstyle guitarist and composer John Fahey, released in 1967. The cover labels the album Volume 6 while it was preceded in 1966 by The Great San Bernardino Birthday Party which is labeled Guitar Vol. 4 .
Twilight on Prince Georges Avenue: Essential Recordings is the title of a compilation recording by American fingerstyle guitarist and composer John Fahey, released in 2009. Fahey recorded four albums for Varrick Records, a division of Rounder Records , from which these selections are taken.
John Fahey used the term "American primitive guitar" to describe the style of composition he developed in his releases from the 1950s onwards. Fahey employed traditional country blues fingerpicking techniques, which had previously been used primarily to accompany vocals, on solo guitar, in combination with nontraditional harmonic and melodic ...
Jesus Loves Me (subtitled Guitar Hymns) is an album by American fingerstyle guitarist and composer John Fahey, released in 1980. [1] It was Fahey's poorest selling release. [ 2 ]
This tuning is evident in William Ackerman's song "Townsend Shuffle", as well as by John Fahey for his tribute to Mississippi John Hurt. [ 31 ] [ 32 ] The C–C–G–C–E–G tuning uses some of the harmonic sequence (overtones) of the note C. [ 33 ] [ 34 ] This overtone-series tuning was modified by Mick Ralphs , who used a high C note ...
The Best of John Fahey was reissued on CD in 2002 by Takoma and included three bonus tracks taken from three later albums. It includes liner notes and commentary by such guitarists as Leo Kottke, Peter Lang, Jim O'Rourke, and George Winston, some of whom had recorded numerous Fahey compositions on their own albums or who were once signed to his Takoma label.
Richie Unterberger called it "...a testament to Fahey's mastery of the tunes" and "a solid addition to the John Fahey canon". [1] Referring to the time period of the live performance, Bill Meyer of Dusted Magazine writes "...no matter how much I admire Fahey’s determination to keep his creativity alive and appreciate some of what came out of ...