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New stations on the Second Avenue Subway have porcelain tiles and built-in artwork. [10] The walls adjacent to the tracks at the new 34th Street station have white tiles arranged in sets of three columns of 3 tiles each. There are two-tile-high gray squares containing white "34"s in the middle of each set of columns. [11]
A 2003 Miami Herald article described the Bayard–Condict Building as "massive and delicate", [71] while the Chicago Tribune wrote that the building was "a study in terra-cotta ornamentation". [72] The architect Chad Smith wrote for the Village Voice in 2005: "It is new because it is modern—both for its forward-looking design and because it ...
The walls of the mezzanine and connecting passageways are clad with white ceramic tiles, while the tops of the walls contain multicolored friezes similar to at platform level. The mezzanine and passageway ceilings are made of concrete. The fare control area contains two retail spaces and is clad with ceramic and glazed tile. [3]: 8
A classic white range from Viking matches the luster of the glossy subway tiles above. The pendant lighting is by Charles Edwards. Cabinet, Trim, and Ceiling Paint Color: Paper White by Benjamin Moore
The original decorative scheme consisted of blue/green tile station-name tablets, green tile bands, a buff terracotta cornice, and green terracotta plaques. [173]: 32 The mosaic tiles at all original IRT stations were manufactured by the American Encaustic Tile Company, which subcontracted the installations at each station.
Guastavino tile vaulting in the City Hall station of the New York City Subway Guastavino ceiling tiles on the south arcade of the Manhattan Municipal Building. The Guastavino tile arch system is a version of Catalan vault introduced to the United States in 1885 by Spanish architect and builder Rafael Guastavino (1842–1908). [1]