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Chinese ritual bronzes from the Shang and Western Zhou dynasties come from a period of over a thousand years from c. 1500 BC, and have exerted a continuing influence over Chinese art. They are cast with complex patterned and zoomorphic decoration, but avoid the human figure, unlike the huge figures only recently discovered at Sanxingdui. [1]
The mound where the tomb is located Plan of the Qin Shi Huang Mausoleum and location of the Terracotta Army ().The central tomb itself has yet to be excavated. [4]The construction of the tomb was described by the historian Sima Qian (145–90 BCE) in the Records of the Grand Historian, the first of China's 24 dynastic histories, which was written a century after the mausoleum's completion.
Jocho's successors, sculptors of the Kei school of Buddhist statues, created realistic and dynamic statues to suit the tastes of samurai, and Japanese Buddhist sculpture reached its peak. Sculptors Unkei, Kaikei, and Tankei gained renown by replacing temples' Buddha statues that had been lost in wars or fires, such as those at Kofuku-ji. [4]
Statues of guardian lions have traditionally stood in front of Chinese Imperial palaces, Imperial tombs, government offices, temples, and the homes of government officials and the wealthy, and were believed to have powerful mythic protective benefits. They are also used in other artistic contexts, for example on door-knockers, and in pottery.
The Taerpo horserider is a Chinese Zhou dynasty period Warrior-State Qin terracotta figurine from a tomb in the Taerpo cemetery (塔兒坡墓) near Xianyang in Shaanxi Province, dated to the 4th-3rd century BCE. Another nearly-identical statuette is known, from the same tomb.
Sanxingdui bronze heads with gold foil masks. Sanxingdui (Chinese: 三星堆; pinyin: Sānxīngduī; lit. 'Three Star Mound') is an archaeological site and a major Bronze Age culture in modern Guanghan, Sichuan, China.
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