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Carl Bosch (German pronunciation: [kaʁl ˈbɔʃ] ⓘ; 27 August 1874 – 26 April 1940) was a German chemist and engineer and Nobel Laureate in Chemistry. [2] He was a pioneer in the field of high-pressure industrial chemistry and founder of IG Farben , at one point the world's largest chemical company.
Bosch was born in Albeck, in the Swabian Highlands near Ulm. He was one of twelve children born to Servatius Bosch and Maria Margarita Dölle. Servatius ran a large progressive farm that included a brewery. Robert Bosch's nephew was future Nobel laureate Carl Bosch. Robert Bosch attended the 'Realanstalt' in Ulm until 1879, that included an ...
Hieronymus Bosch's first name was originally Jheronimus (or Joen, [8] respectively the Latin and Middle Dutch form of the name "Jerome"), and he signed a number of his paintings as Jheronimus Bosch. [9] His surname Bosch derives from his birthplace, 's-Hertogenbosch ('Duke's forest'), which is commonly called "Den Bosch" ('the forest'). [10]
Friedrich Karl Rudolf Bergius (German pronunciation: [ˈfʁiːdʁɪç ˈbɛʁɡi̯ʊs] ⓘ, 11 October 1884 – 30 March 1949) was a German chemist known for the Bergius process for producing synthetic fuel from coal, Nobel Prize in Chemistry (1931, together with Carl Bosch) in recognition of contributions to the invention and development of chemical high-pressure methods.
The work was bought by the Museum of Fine Arts, Ghent in 1902, and was restored in 1956–1957. As for all Bosch-related works, the dating is uncertain, although most art historians assigned it to his late career. [5]
Death and the Miser, on loan to the exhibition form the National Gallery of Art, DC. Jheronimus Bosch—Visions of Genius (Dutch: Jheronimus Bosch - Visioenen van een genie [1]) was a 2016 art exhibition (13 February until 8 May 2016) at the Noordbrabants Museum in 's-Hertogenbosch, the Netherlands, about the work of Hieronymus Bosch, a native of 's-Hertogenbosch.
The art historian Carl Justi observed that the left and center panels are drenched in tropical and oceanic atmosphere, and concluded that Bosch was inspired by "the news of recently discovered Atlantis and by drawings of its tropical scenery, just as Columbus himself, when approaching terra firma, thought that the place he had found at the ...
St. Anthony the Abbot is portrayed in meditation, in a sunny landscape near the trunk of a dry tree. St. Anthony is a recurrent figure in Bosch's work, with up to 15 paintings of this subject, all inspired by legends told in the Golden Legend and in his Life by Athanasius of Alexandria. He is represented in a setting of solitude and temptation ...