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"Big Ten Inch Record", also known as "Big Ten-Inch (Record of the Blues)", [1] is a rhythm and blues song written by Fred Weismantel. It was first recorded in 1952 by Bull Moose Jackson and released by King Records , originally on 10" vinyl, the most popular format at the time.
The song includes references to self-harm and heroin addiction, though the overall meaning of the song is disputed.Some listeners contend that the song acts as a suicide note written by the song's protagonist, as a result of his depression, while others claim that it describes the difficult process of finding a reason to live in spite of depression and pain and does not have much to do with ...
Seven Inches of Satanic Panic is the third EP by the Swedish rock band Ghost. First released digitally on 13 September 2019 by Loma Vista Recordings , it features the songs "Kiss the Go-Goat" and "Mary on a Cross", written by vocalist Tobias Forge along with songwriters Salem al Fakir and Vincent Pontare .
Nine Inch Nails performing in June 2022; from left to right: Ilan Rubin, Trent Reznor, Alessandro Cortini, Atticus Ross, and Robin Finck. This is a list of every song ever released by American industrial rock band Nine Inch Nails. It gives information about songwriter(s), length, original release, and year of release.
The song was a success in the United States, peaking at No. 3 on the Billboard Hot 100 chart and No. 1 on the Mainstream Rock chart, while also reaching No. 33 on the Adult Contemporary chart. [14] "King of Pain" entered Canada's RPM chart at No. 48, on the edition of 20 August 1983. [15] The song climbed to No. 1 on the edition of 15 October 1983.
The song is featured in the 2008 film Wanted, where it became the film's most recognizable song. This song is played in the CBS show Hawaii Five-0, in the beginning of the 15th episode of the third season, entitled "Hookman". This song is played in the show Criminal Minds (first season, second episode, 1 minute 27 seconds in). The episode is ...
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Sting described "Wrapped Around Your Finger" as "a spiteful song about turning the tables on someone who had been in charge." [4] Like other Police songs from this period, it features mythological and literary references, including the Scylla and Charybdis monsters of Greek mythology, and the German legend of Faust. It has a relatively slow ...