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The portrait depicts Jesus Christ, raising his right hand while gripping a red staff with the other. Christ's wounds are slightly visible on his hand as well as his chest. The shadows indicate the reality of his Resurrection. Meanwhile, the landscape in the background contains many motifs signifying the Resurrection.
The Transfiguration of Jesus was a major theme in the East and every Eastern Orthodox monk who had trained in icon painting had to prove his craft by painting an icon of the Transfiguration. [60] However, while Western depictions increasingly aimed at realism , in Eastern icons a low regard for perspective and alterations in the size and ...
Christie's stated that the painting was probably commissioned around 1500, shortly after King Louis XII of France conquered the Duchy of Milan and took control of Genoa in the Second Italian War; Leonardo himself moved from Milan to Florence in 1500. [12] [13] The art historian Luke Syson agrees, dating the painting to c. 1499, though Martin ...
Pages in category "Paintings of Jesus" The following 200 pages are in this category, out of approximately 230 total. ... (Bellini, 1500) Christ Blessing (Raphael ...
Category: 1500s paintings. 22 languages. ... 1500 paintings (33 P) 1501 paintings (9 P) 1502 paintings (12 P) 1503 paintings (8 P) 1504 paintings (19 P) 1505 ...
The composition is a novel one, with the body of Jesus typically held horizontally in paintings of the Entombment, although earlier examples with Jesus held vertically that may have influenced Michelangelo include a 1438-1440 predella to the San Marco Altarpiece by Fra Angelico, and Domenico Ghirlandaio. The upright posture of Jesus may allude ...
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