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  2. Mystic chord - Wikipedia

    en.wikipedia.org/wiki/Mystic_chord

    In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11).

  3. B minor - Wikipedia

    en.wikipedia.org/wiki/B_minor

    B minor is a minor scale based on B, ... The scale degree chords of B minor are: ... Violin Concerto No. 2 in B Minor, Op. 32; Alban Berg. Piano sonata, ...

  4. Chord-scale system - Wikipedia

    en.wikipedia.org/wiki/Chord-scale_system

    In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]

  5. Neapolitan chord - Wikipedia

    en.wikipedia.org/wiki/Neapolitan_chord

    The Neapolitan sixth chord is an idiom specific to classical music. Other music traditions often feature ♭ II harmonies (ex. C major chord in the keys of B major or B minor), but usually in root position. These are sometimes referred to as "Neapolitan" chords, but these rarely follow the classical voice-leading and chord functions described ...

  6. Harmonization - Wikipedia

    en.wikipedia.org/wiki/Harmonization

    In music, harmonization is the chordal accompaniment to a line or melody: "Using chords and melodies together, making harmony by stacking scale tones as triads". [2] A harmonized scale can be created by using each note of a musical scale as a root note for a chord and then by taking other tones within the scale building the rest of a chord. [3]

  7. Andalusian cadence - Wikipedia

    en.wikipedia.org/wiki/Andalusian_cadence

    Palos of flamenco. The Andalusian cadence (diatonic phrygian tetrachord) is a term adopted from flamenco music for a chord progression comprising four chords descending stepwise – a iv–III–II–I progression with respect to the Phrygian mode or i–VII–VI–V progression with respect to the Aeolian mode (minor). [1]

  8. Chord chart - Wikipedia

    en.wikipedia.org/wiki/Chord_chart

    A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.

  9. Quartal and quintal harmony - Wikipedia

    en.wikipedia.org/wiki/Quartal_and_quintal_harmony

    The chord had been found in earlier works, [3] notably Beethoven's Piano Sonata No. 18, but Wagner's use was significant, first because it is seen as moving away from traditional tonal harmony and even towards atonality, and second because with this chord Wagner actually provoked the sound or structure of musical harmony to become more ...

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