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Neuroesthetics (or neuroaesthetics) is a recent sub-discipline of applied aesthetics. Empirical aesthetics takes a scientific approach to the study of aesthetic experience of art , music , or any object that can give rise to aesthetic judgments. [ 2 ]
In 2015, he was appointed as Artist in Residence in Neuroaesthetics at the University of Houston's Cullen College of Engineering, [1] and he was invited to co-organize the 2016 International Conference on Mobile Brain-Body Imaging and the Neuroscience of Art, Innovation, and Creativity, [2] he is co-organizing year 2 of the conference in 2017.
A major theme in Neidich's practice can widely be summarised as neuroaesthetics (not to be confused with mainstream neuroesthetics), an area of critical and constructive thought, which can loosely be seen as the confluent impact of the brain on a cultured environment and, importantly, vice versa, upon which he began lecturing in 1996 at the School of Visual Arts in New York City.
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In May 2005 Onians founded Neuroarthistory in a lecture at the Neuroaesthetics Conference Goldsmiths May 2005. [4] In 2006, he wrote and presented the paper 'Neuroarthistory: making more sense of art' which, according to The Art Book "explored the ways in which our ever-expanding knowledge of the brain invites art historians to reconsider the ...