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Eh La Bas is a traditional New Orleans song.Originally it was sung with Cajun lyrics but was later given French lyrics and the common title from the French lyrics. There have been numerous versions, including English lyrics that refer to both the Cajun and French versions, and all employ a call and response.
A mention in Brenda Lee's 1958 song "Papa Noel", on the B-side of "Rockin' Around the Christmas Tree" In the lyrics of Bayou Jubilee, by The Nitty Gritty Dirt Band, on the album, Dream. "Nothing in this world, such a pure delight, as a fais-do-do on a Saturday night." In the lyrics of "Diggy Liggy Lo" song and lyrics written by Terry J. Clement.
Cajun English is traditionally non-rhotic and today variably non-rhotic. A comparison of rhoticity rules between Cajun English, New Orleans English, and Southern American English showed that all three dialects follow different rhoticity rules, and the origin of non-rhoticity in Cajun English, whether it originated from French, English, or an independent process, is uncertain.
Cajun music (French: Musique cadienne), an emblematic music of Louisiana played by the Cajuns, is rooted in the ballads of the French-speaking Acadians of Canada. Although they are two separate genres, Cajun music is often mentioned in tandem with the Creole -based zydeco music.
Boudreaux and Thibodeaux, also known as Boudreau and Thibodeau, are jokes which make fun of slow-witted Cajuns. [1] These jokes are a common tradition to the Southern Louisiana region and often feature an exaggerated Cajun accent.
“I love to hear you moan while I’m going down on you.” “I need you so bad right now.” “Get on top of me and don’t get off until you come.” “I want to kiss every inch of your body.”
Jole Blon or Jolie Blonde is a traditional Cajun waltz, often called "the Cajun national anthem" because of the popularity it has in Cajun culture. The song was popularized on a nationwide scale by a series of renditions and references in late 1940s country songs.
A performance by Dewey Balfa, Gladius Thibodeaux and Vinus LeJeune at the 1964 Newport Folk Festival was one major reason behind a revived interest in traditional Cajun music in the mid-1960s. [10] In 1972, the Council for the Development of French in Louisiana started an annual festival that came to be known as Festivals Acadiens .