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The Harlem Renaissance was an intellectual and cultural revival of African-American music, dance, art, fashion, literature, theater, politics and scholarship centered in Harlem, Manhattan, New York City, spanning the 1920s and 1930s. [1]
Gladys Alberta Bentley (August 12, 1907 – January 18, 1960) [1] was an American blues singer, pianist, and entertainer during the Harlem Renaissance.. Her career skyrocketed when she appeared at Harry Hansberry's Clam House, a well-known gay speakeasy in New York in the 1920s, as a black, lesbian, cross-dressing performer.
Gwendolyn B. Bennett (July 8, 1902 – May 30, 1981) was an American artist, writer, and journalist who contributed to Opportunity: A Journal of Negro Life, which chronicled cultural advancements during the Harlem Renaissance.
The brand collaborated with Harlem's Fashion Row and New York-based designer Samantha Black for three special edition outfits reminiscent of 1920s glamour. Claudie's additional accessory line ...
Her mother, Willi Posey, collaborated with her on this project, as Posey was a popular Harlem clothing designer and seamstress during the 1950s [31] and taught Ringgold how to quilt in the African-American tradition. [32] This collaboration eventually led to their first quilt, Echoes of Harlem, in 1980.
Many significant personalities from the Harlem Renaissance, including authors Dorothy West and Langston Hughes, were a part of this group. The intended purpose of the film project was to showcase the discrimination and oppression faced by African Americans in the United States and to promote the Communist party as a solution to these issues.
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