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A jazz term which instructs chord-playing musicians such as a jazz pianist or jazz guitarist to perform a dominant (V7) chord with at least one (often both) altered (sharpened or flattened) 5th or 9th altissimo Very high; see also in altissimo alto High; often refers to a particular range of voice, higher than a tenor but lower than a soprano
Eisegesis (/ ˌ aɪ s ɪ ˈ dʒ iː s ɪ s /) is the process of interpreting text in such a way as to introduce one's own presuppositions, agendas or biases. It is commonly referred to as reading into the text. [ 1 ]
Exegesis (/ ˌ ɛ k s ɪ ˈ dʒ iː s ɪ s / EK-sih-JEE-sis; from the Greek ἐξήγησις, from ἐξηγεῖσθαι, "to lead out") is a critical explanation or interpretation of a text. The term is traditionally applied to the interpretation of Biblical works.
Musical expression is the art of playing or singing with a personal response to the music. [ 1 ] At a practical level, this means making appropriate use of dynamics , phrasing , timbre and articulation to bring the music to life. [ 2 ]
The term refers to diegesis, a style of storytelling. In her 1987 work Unheard Melodies, Claudia Gorbman was influential in establishing the terms "diegetic" and "non-diegetic" (derived from narrative theory) for use in academic film music studies. From there, its usage spread to other disciplines. [2] [3]
The smallest pitch difference between notes (in most Western music) (e.g. F–F#). Jazz, blues, and various non-Western musics use quarter tones, a smaller subdivision of pitch. session musician, session player, or session man. In jazz and popular music, this refers to a highly skilled, experienced musician who can be hired for recording sessions.
In summary, genre is a broader term and often refers to the overall style, structure, cultural context, or purpose of the music. For example, a rondo is based on alternation between familiar and novel sections (e.g. ABACA structure); a mazurka is defined by its distinctive meter and rhythm ; a nocturne is based on the mood it creates, required ...
Ādhi tālam refers to chathusra-jathi triputa tālam (4 + 2 + 2 = 8 beats in an āvartanam), which is very common in Carnatic music. This is the equivalent of 8 beat / 16 beat of Western music. This is the equivalent of 8 beat / 16 beat of Western music.