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Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
Dante Meditating on the Divine Comedy.Jean-Jacques Feuchère, 1843. Literary fiction, mainstream fiction, non-genre fiction, serious fiction, [1] high literature, [2] artistic literature, [2] and sometimes just literature, [2] are labels that, in the book trade, refer to market novels that do not fit neatly into an established genre (see genre fiction) or, otherwise, refer to novels that are ...
There is disagreement regarding the number of pages or words necessary for a story to be considered a novella, a short story or a novel. [2] The Science Fiction and Fantasy Writers Association defines a novella's word count to be between 17,500 and 40,000 words; [3] [4] at 250 words per page, this equates to 70 to 160 pages.
Literary historian Ian Watt, in The Rise of the Novel (1957), argued that the modern novel was born in the early 18th century. Recent technological developments have led to many novels also being published in non-print media: this includes audio books, web novels, and ebooks. Another non-traditional fiction format can be found in graphic novels.
Of the several ways of beginning a book which is now in practice throughout the known world, I am confident my own way of doing it is the best—I'm sure it is the most religious—for I begin with writing the first sentence—and trusting to Almighty God for the second. [19]
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Whereas the general assumption in literary theory is that a narrator must be present in order to develop a narrative, as Schmid proposes; [48] the act of an author writing his or her words in text is what communicates to the audience (in this case readers) the narrative of the text, and the author represents an act of narrative communication ...