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The temple fade haircut has short sides and a long top. One of the most well known people with this hairstyle is DJ Pauly D.. The temple fade, also known as a Brooklyn fade, taper fade, and blowout, is a haircut that first gained popularity in the late 90s and early 2000s in African American, Italian American, and Hispanic American barbershops as a variation of the bald fade, originating ...
Conk hairstyle. The conk was a hairstyle popular among African-American men from the 1920s up to the early-to-mid 1960s. [1] This hairstyle called for a man with naturally "kinky" hair to have it chemically straightened using a relaxer called congolene, an initially homemade hair straightener gel made from the extremely corrosive chemical lye which was often mixed with eggs and potatoes.
The Caesar cut is a men's hairstyle that is cut to a regular fade with the bangs or fringe left longer than the top length. Chonmage: A variation on the traditional topknot and tonsure of samurai in Feudal Japan, today worn by sumo wrestlers. Unlike the samurai tonsure, the top of the head is never shaved for this hairstyle. Comb over
4. The Mop-Top. This haircut works well for: Any type of hair loss. Those who prefer mid-length hair or a longer length to a short haircut. Men who want to make their hairline and scalp less visible
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Edge-ups are typically found among men and short-haired women. The haircut grew in popularity during the 1980s, typically among those who have Afro-textured hair , and became the precursor to other stylish haircuts, such as the high-top fade, low fade, and designs such as crescent moon parts, side parts, and waves in hair.
A medium length hi-top fade. Hi-top fade is a haircut where hair on the sides is cut off or kept very short while hair on the top of the head is grown long. [1]The hi-top was a trend during the golden age of hip hop and urban contemporary music of the 1980s and the early 1990s. [2]
According to the Oxford English Dictionary, use of the term mullet to describe this hairstyle was "apparently coined, and certainly popularized, by American hip-hop group the Beastie Boys", [1] who used "mullet" and "mullet head" as epithets in their 1994 song "Mullet Head", combining it with a description of the haircut: "number one on the side and don't touch the back, number six on the top ...
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