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Verbal irony is "a statement in which the meaning that a speaker employs is sharply different from the meaning that is ostensibly expressed". [1] Moreover, it is produced intentionally by the speaker, rather than being a literary construct, for instance, or the result of forces outside of their control. [ 19 ]
Understatement – a form of irony, sometimes in the form of litotes, in which something is represented as less than it really is, with the intent of drawing attention to and emphasizing the opposite meaning. Universal audience – an audience consisting of all humankind. Utterance – statement that could contain meaning about one's own person.
Innuendo: having a hidden meaning in a sentence that makes sense whether it is detected or not. Irony: use of word in a way that conveys a meaning opposite to its usual meaning. [18] Kenning: using a compound word neologism to form a metonym. Litotes: emphasizing the magnitude of a statement by denying its opposite.
Irony, contrarily, does not include derision, unless it is sarcastic irony. The problems with these definitions and the reason why this dissertation does not thoroughly investigate the distinction between irony and sarcasm involves the ideas that: (1) people can pretend to be insulted when they are not or pretend not to be insulted when they ...
Irony – Creating a trope through implying the opposite of the standard meaning, such as describing a bad situation as "good times". Litotes – A figure of speech and form of verbal irony in which understatement is used to emphasize a point by stating a negative to further affirm a positive, often incorporating double negatives for effect.
Writers use scare quotes for a variety of reasons. They can imply doubt or ambiguity in words or ideas within the marks, [18] or even outright contempt. [19] They can indicate that a writer is purposely misusing a word or phrase [20] or that the writer is unpersuaded by the text in quotes, [21] and they can help the writer deny responsibility for the quote. [19]
The Graded Salience Hypothesis is a theory regarding the psycholinguistic processing of word meaning, specifically in the context of irony, developed by Rachel Giora.It assumes that priority is given in the psychological activation and semantic retrieval of salient over less salient meanings inside the mental lexicon in the process of language comprehension.
Post-irony (from Latin post 'after' and Ancient Greek εἰρωνεία eirōneía 'dissimulation, feigned ignorance' [1]) is a term used to denote a state in which earnest and ironic intents become muddled. It may less commonly refer to its converse: a return from irony to earnestness, similar to new sincerity.